The Top Ten Reasons Why Theatre is Still Important in the Twenty-First Century

by Kevin Brown

in National Conference

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(This post is part of the 2014 TCG National Conference: Crossing Borders {Survive| Thrive} blog salon curated by Caridad Svich.)

In a keynote speech addressed to the Association of Theatre in Higher Education in 1992, performance studies scholar Richard Schechner (in)famously declared: “Theatre as we have known and practiced it – the staging of written dramas – will be the string quartet of the 21st century”. We are now more than two decades removed from this provocation. What, if anything, has changed about the state of theatre in the twenty-first century? Is theatre dead, as Schechner predicted, or is it still very much alive and breathing?  In the spirit of retiring “Late Show” host David Letterman’s famous “Top Ten” lists, I submit the following reasons why theatre is still important today:

#10 Human Beings
The performance of theatre is a universal cultural phenomenon that exists in every society around the world. Human beings are the only animal species that creates theatre. Understanding theatre helps us understand what it means to be human.

#9 Self-Expression
Theatre teaches us how to express ourselves more effectively. It develops our ability to communicate our thoughts and feelings to others, improving our relationships and improving the world around us.

#8 Self-Knowledge
Theatre teaches us about ourselves. It helps us understand how our minds and the minds of others work. It helps us to see how the environments in which we live affect who we are and who we will become.

#7 History
Theatre is a great way to lean about history. Rather than learning history from reading it in a dusty textbook, theatre makes history come alive right before our eyes. Theatre makes learning about history fun.

#6 The Body
Theatre reminds us that, even in this ever-changing digital age, there is a human body at the center of every digital transaction. Accounting for the body in the design of the future will help us make technology that works for us rather than us working for technology.

#5 Globalization
Theatre helps us understand people from cultures other than our own. We can learn a lot about people from cultures all around the world by studying their performance traditions. In doing so, we can learn to be less ethnocentric, and more accepting of others.

#4 Self-Empowerment
Performance permeates every aspect of our everyday lives. Power relationships are constructed through performances. Understanding how performances unfold around us can help us to recognize and take control of the power dynamics that affect us.

#3 Social Change
Theatre is a cultural space where society examines itself in a mirror. Theatre has long been looked at as a laboratory in which we can study the problems that confront society and attempt to solve those problems.

#2 Education
Theatre is a great way to learn. Going to the theatre teaches us about people, places, and ideas to which we would not otherwise be exposed. Learning in a theatrical setting makes learning fun.

#1 Creativity
Theatre helps us to develop our creativity. As our education system increasingly puts an emphasis on science, technology, engineering, and math, we cannot forget the importance of art. Let’s put the “STE(A)M” back in “STEM!”


Dr. Kevin Brown is an Assistant Professor in the Department of Theatre at the University of Missouri, Columbia. He has published in Theatre Journal, International Journal of Performance Arts and Digital Media, Popular Entertainment Studies, Journal of Religion and Theatre, Journal of Popular Music Studies, Puppetry International, and Kajian Malaysia.

  • MiMi Zannino

    Practical, relevant and right-on target. Every topic and academic discipline can be taught through or with elements of theatre. My one-woman show “Time Travel with Emily Dickinson” contains current scholarly insights that bring 19th century American history and literature to life. Audiences of all ages engage with knowledge through a post-play Q-and-A. People of all ability levels enthusiastically connect with the subject with the guidance of the theatre professionals who have researched and created living history performances. Thank you for the clarity of your awareness. I hope people share your sharp Top 10 points.

  • http://www.juhapekkamikkola.net Juha-Pekka Mikkola

    Very good and precise points, I totally agree. But I still don’t think you totally answered to Schecher questioning (already 20 years ago!) “the staging of WRITTEN dramas. I mean I love the classics and old plays, and truly think they’re under threat not to be performed in the future.
    The things on the list apply to “unwritten” & new theatre as well, even the history bits, so how could we defend the “the canon” of classical repertory?

  • Ihimodu Babajide Charles

    Great to come to terms with the current trappings of our noble profession which many painfully have left for greener pastures. Nothing can kill theatre and performing arts as long as there are human beings, theatre will always be there. THE SHOW MUST GO ON! CHOBOI!

  • JeromeWeeks

    Nitpicky, to be sure, your very first assertion threw me: Theater exists in every society in the world. Really? There’s a wonderful short story by Jorge Luis Borges, “Averroes’ Search,” in which the great Spanish Arab translator of Aristotle does not understand two particular terms the Greek philosopher uses. He knows no way to translate them. So Borges gives him a dream in which people in a room watch other people in a room eat without eating, die but then get up and live again. We recognize that what Averroes is dreaming of is a theater, although he doesn’t know that because there was no theater in the Arab world. The terms he was trying to translate but had no word for were ‘tragedy’ and ‘comedy.’ In fact, there was no theater in the Arab world until the 19th century. Given this history, I suspect there may well be out-of-the-way societies — New Guinea? the Amazon tribe that was first contacted by us moderns in 2011? — that have not imported or developed this particular art form.

  • http://www.georgehunka.com George Hunka

    Not to rain on the parade, but a little defense of the poor string quartet: http://www.georgehunka.com/drama/out-of-tune/

  • Ken

    The opening paragraph misinterperates Richard Schechner’s comment to mean that theatre of all kinds will be a dead form by the 21st century. What I believe he meant was that “authored” dramas with a strict codified text would go by the wayside, while collectively arranged pieces that are essentially a combination of improvisation and a magpie-like blending of several pre-existing sources would emerge as the norm for performance. What Dr. Brown failed to mention was that Richard Schechner, while an acclaimed performance studies scholar, is also a practicing theatre director, and is perhaps best known in most circles as the founder of the Performance Group, the ensemble that eventually morphed into Wooster Group (after Schechner’s departure)–a company whose stock in trade is the assemblage constructed from various pieces, both high-literary and, pop-cultural.

  • Eric S. Kildow

    These kind of lists just strike me as a mouthful of mush. Seriously, what is the real value of the live theatre? Every item on this list can be fulfilled by other means, many of which are likely more efficient. There are a lot of things that can “make learning fun.” But why should anyone hand us a large space and a few hours of their time? Because we certainly don’t seem to be saying anything substantive.

  • Kser

    Being alive with the actors is an awesome feeling, living in the moment with them. You can read a book by yourself, but why do we still have story telling?

    But i do feel theatre is losing this quality, with all the commercial works and politics. Right now I rather watch an online video of theatre than being there.

  • Chris

    Ever seen the movie Idiocracy? Without art, that’s where we are headed.

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  • Becky Plant

    I love this!

  • gewaite

    Theatre is about as “diverse” as mainline protestantism or Martha’s Vinyard; it’s another thing that white middle/upper middle class, middle aged people like. They think of it like church-they’re usually bored by it but they think it makes them look moral and “caring”, so they go for pretty much the same reasons their great-grandparents went to church 110 years ago.

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  • rogplan

    You must not see much theatre, if this is your actual opinion.

  • gewaite

    I see who’s in the audience and who composes the donor base. The token self-flagellating and self-congratulating that goes on onstage isn’t the whole story.

  • Art

    sad

  • gewaite

    No, but more than a little pathetic for non-believers to have to watch.

  • Aria

    I’m so happy to see an article like this! I only live for theatre, so seeing an article in why it’s important makes me so happy! I have had to try to tell people who say that I’m the only person who cares about theatre anymore that a lot of people like theatre and say that musicals and performing arts are dead why musicals are so important, and this article will help get my point across! Thank you for making this, from an aspiring Broadway actress.